We write the scripts that get boarded.

Every package in this catalogue started as a production plan, not as a story idea. We design the hook first, the panel budget second, and the characters third — because that is the order in which a comic drama succeeds or dies.

How we build a package

  • The engine comes first. A comic drama needs one mechanism that generates episodes indefinitely. Every script here has one, stated plainly, and everything else is built to serve it.
  • The hook map is written before the acts. The final five seconds of each episode decide whether a viewer opens the next one. We write those first for the opening ten episodes and work backwards into the structure.
  • World rules are constraints, not flavour. They exist to stop the audience asking why nobody simply explains the truth in episode three.
  • The storyboard is the deliverable, not a bonus. Episodes 1–5 are broken down panel by panel with shot size, camera move, duration, drawn action, dialogue, sound cue and transition, so your boarders can start on day one.
  • Motion is budgeted, not improvised. Most panels hold. The moving panels are the expensive ones and every episode is costed for them.

What is inside every package

  • Part A: logline, premise, setting and story engine
  • Part A: world rules as hard story constraints
  • Part A: character bible with voice and arc for every role
  • Part A: relationship map and three-act structure
  • Part A: turning points by episode and hook map for episodes 1–10
  • Part A: three written scene samples and reusable marketing copy
  • Part B: episodes 1–5 board.
  • Part B: panel budget for episodes 1–20
  • Part B: full art asset list – character sheets, background plates, props, effect overlays
  • Production notes: cast size, recurring backgrounds, panel load, schedule

Production tiers

Low

  • Under 30 unique art assets for a whole season
  • 9–13 panels per episode, mostly holds
  • 3–4 moving panels per episode
  • 5 speaking roles

Mid

  • 30–50 unique art assets
  • 13–17 panels per episode
  • 4–5 moving panels per episode
  • 6–8 speaking roles

High

  • 50+ unique art assets, period or high-cast
  • 16–20 panels per episode
  • 5–7 moving panels per episode
  • 9 or more speaking roles

Tiers are stated on every listing, and the art asset list in Part B is counted rather than estimated.

Licensing in plain words

You buy a licence to use the material, not ownership of the work. You may adapt, rewrite, translate and produce it, and you may distribute the finished production. You may not resell or redistribute the script file itself, publish it as a template, or claim authorship of the underlying work. The full terms, including the extended licence, are in our Terms & Conditions.

The company

Shenzhen Yanqie Trading Co., Ltd. operates this store from Shenzhen, Guangdong, China. Orders, delivery and refunds are handled under our Refund and Returns Policy and Digital Delivery Policy.

Questions, commissions or rights enquiries: yanqieco@outlook.com.